
Lampe double-douille, 1999, 11 light bulbs, 10 double-ended lamp socket, variable dimensions, courtesy of the artist.
Untitled, 2005, neons, lacquered metal hanger, 65 x 35 x 25 cm, private collection, Paris.
Structure de bois et de mélaminé 1, 2, 1999, laminate plastic chipboard, 220 x 370 x 180 cm, Fonds national d’art contemporain, Ministère de la Culture et de la Communication, Paris

Homme-femme, automne/hiver 1998, page of a catalogue, plexiglas, fluorescent tube, 65 x 50 x 10 cm, collection Annie-Antoine Attias, Paris

Casque, 1998, chromed plastique, 30 x 40 x 30 cm, collection Clémence et Didier Krzentowski, Paris

Assiette et son motif concentrique répété sur un mur, 1993, acrylic paint, on-site installation on 415 x 543 cm wall, private collection, Paris

Still Untitled, 2000, paint and adhesive tape on wood, 58 x 50 cm, private collection, Leverkusen.
Lampe sur caisson lumineux, 2001, clear film on lightbox, 50 x 50 x 10 cm, collection Fer, Laupheim

Untitled, 2005, neons, lacquered metal hanger, 65 x 35 x 25 cm, private collection, Paris.
Structure de bois et de mélaminé 1, 2, 1999, laminate plastic chipboard, 220 x 370 x 180 cm, Fonds national d’art contemporain, Ministère de la Culture et de la Communication, Paris.
Multiprise, 1998, 20 electrical outlet, plaster, 80 x 70 x 70 cm, collection Jean Brolly, Paris.
Casque, 1998, chromed plastique, 30 x 40 x 30 cm, collection Clémence et Didier Krzentowski, Paris

Lampe sur caisson lumineux, 2001, clear film on lightbox, 50 x 50 x 10 cm, collection Fer, Laupheim. Structure d’altuglas et de mélaminé, 2000, 100 x 130 x 67 cm, collection Daimler Chrysler, Stuttgart


Deux chaises, 1998, plastic, wood, paint, 90 x 120 x 60 cm, collection Clémence et Didier Krzentowski, Paris

Porte blindée, 2001, polished stainless steel, 203 x 85 x 6,5 cm, private collection, Paris

01, 2000, lenticular image, 84 x 59,5 x 3 cm, collection Gerhard et Elisabeth Sohst, Hambourg

ZU, 2001, adhesive letters, variable dimensions, courtesy of the artist.
Glad, 2003, inspired by a Spatial Construction by Alexandre Rodtchenko, carton packaging, 43 x 23 x 23 cm, courtesy of the artist


Drum and Bass, 100% polyester, 2003, shelve, blue blanket, yellow tube, red box, 200 x 230 x 20 cm, collection Jacky Cukier, Paris

Sans titre, 2004, plaster, 62,5 x 130 x 88 cm, collection Guillaume Houzé, Paris.
Hi/Lo/No-Tech, 2002, 5 plexiglas discs on a stand, 90 x 87 x 90 cm, collection Poch Art Invest, Paris.

Untitled, 2007, painted steel, variable dimensions, courtesy Galleria Massimo Minini, Brescia.
AAA, 2002, plexiglas lightbow, 40 x 80 x 15 cm, collection Clémence et Didier Krzentowski, Paris

Untitled, 2007, painted steel, variable dimensions, courtesy Galleria Massimo Minini, Brescia.
Untitled, 2004, plaster, 62,5 x 130 x 88 cm, collection Guillaume Houzé, Paris

Untitled, 2005, white marble, variable dimensions, courtesy Galleria Massimo Minini, Brescia.
Untitled, 2004, steel, petanque ball, 73,5 x 7,2 x 11,5 cm, private collection, Berlin.
Untitled, 2007, painted steel, variable dimensions, courtesy Galleria Massimo Minini, Brescia


Back : Homonculus, 2006, bronze, edition 1/8, 120 x 100 x 102 cm, coproduction CIT, Aniane, private collection, Paris

Homonculus, 2006, bronze, edition 1/8, 120 x 100 x 102 cm, coproduction CIT, Aniane, private collection, Paris.
Untitled, 2007, fluorescent lamps, 250 x 90 x 30 cm, private cllection, Zurich.
Untitled, 2007, glass fiber, 210 x 190 x 280 cm, collection Guillaume Houzé, Paris

Right : 100 Cars on Karl Marx-Allee, 2004, C-print, 170 x 120 cm.

Untitled, 2007, plexiglas, plastic, 190 x 120 x 50 cm, courtesy Lange & Pult.


Untitled, 2003, baseball mask, acier, 40 x 50 x 50 cm, collection Philippe Dejacques


Untitled, 2005, neon, lacquered metal peg, 65 x 35 x 25 cm, collection Poch Art Invest, Paris